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		<title>Literary Criticism  - Recent changes [en]</title>
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			<title>User talk:70.255.143.129</title>
			<link>http://litcrit.wikia.com/index.php?title=User_talk:70.255.143.129&amp;diff=2011&amp;oldid=prev</link>
			<description>&lt;p&gt;welcoming new contributor&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Welcome==&lt;br /&gt;
Hi, welcome to Literary Criticism. Thanks for your edit to the '''Where are You Going, Where have You Been?''' page.&lt;br /&gt;
&lt;br /&gt;
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Please leave a message on [[User talk:Angela|my talk page]] if I can help with anything! -- [[User:Angela|Angela]] ([[User_talk:Angela|Talk]]) 02:07, January 4, 2010&lt;/div&gt;</description>
			<pubDate>Mon, 04 Jan 2010 02:07:15 GMT</pubDate>			<dc:creator>Wikia</dc:creator>			<comments>http://litcrit.wikia.com/wiki/User_talk:70.255.143.129</comments>		</item>
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			<title>Where are You Going, Where have You Been?</title>
			<link>http://litcrit.wikia.com/index.php?title=Where_are_You_Going,_Where_have_You_Been%3F&amp;diff=2010&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Symbols Analysis:&amp;#32;&lt;/span&gt; &lt;/p&gt;

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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 02:07, January 4, 2010&lt;/td&gt;
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  &lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Joyce Carol Oates' short story &quot;Where are you going? Where have ''you'' been?&quot; 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.&lt;/div&gt;&lt;/td&gt;
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  &lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Joyce Carol Oates' short story &quot;Where are you going? Where have ''you'' been?&quot; 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.&lt;/div&gt;&lt;/td&gt;
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The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is &quot;long and hawklike&quot; and he has a &quot;slippery smile.&quot; His &quot;greasy&quot; boots don't fit him right, &quot;as if his feet [don't] go all the way down.&quot; The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' –&amp;amp;nbsp;the sinister letter&amp;amp;nbsp;E – in the air, it &quot;stays there, almost still visible,&quot; as if he supernaturally burnt it into the air. The numbers appearing on Arnold's car, 33, 19, and 17, exclude the number 18. The 697th letter of the alphabet is &quot;w&quot;, and removing that letter from his name presents &quot;an old &lt;span class=&quot;diffchange diffchange-inline&quot;&gt;poop&lt;/span&gt;&quot;. Arnold knows about Connie's family, where they are at that moment, and what radio station she is listening to. This can be explained logically by the fact that that he is a stalker. As an allusion, the Devil is omniscient. Arnold also promises not to enter Connie's house unless she picks up the phone. This exemplifies the classic adage, &quot;The Devil won't come into your home until you invite him in.&quot; Finally, the fact that Arnold is preying on someone nearly twenty years his junior (physically inferior and easily overpowered) and the methods he uses to finally convince her to come with him (threatening her family and her home) portray him as a genuinely despicable character, worthy of the epithet &quot;Devil,&quot; if not its literal interpretation.
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The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is &quot;long and hawklike&quot; and he has a &quot;slippery smile.&quot; His &quot;greasy&quot; boots don't fit him right, &quot;as if his feet [don't] go all the way down.&quot; The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' –&amp;amp;nbsp;the sinister letter&amp;amp;nbsp;E – in the air, it &quot;stays there, almost still visible,&quot; as if he supernaturally burnt it into the air. The numbers appearing on Arnold's car, 33, 19, and 17, exclude the number 18. The 697th letter of the alphabet is &quot;w&quot;, and removing that letter from his name presents &quot;an old &lt;span class=&quot;diffchange diffchange-inline&quot;&gt;fiend&lt;/span&gt;&quot;. Arnold knows about Connie's family, where they are at that moment, and what radio station she is listening to. This can be explained logically by the fact that that he is a stalker. As an allusion, the Devil is omniscient. Arnold also promises not to enter Connie's house unless she picks up the phone. This exemplifies the classic adage, &quot;The Devil won't come into your home until you invite him in.&quot; Finally, the fact that Arnold is preying on someone nearly twenty years his junior (physically inferior and easily overpowered) and the methods he uses to finally convince her to come with him (threatening her family and her home) portray him as a genuinely despicable character, worthy of the epithet &quot;Devil,&quot; if not its literal interpretation.
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  &lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Arnold Friend pulls into Connie's driveway with his shiny, golden car, taking both her and the reader by surprise. The color gold has connotations of vanity and greed – two deadly sins. The phrase on his car, &quot;Done by a crazy woman driver,&quot; is something that would make a child laugh. The other phrase painted on Arnold's car, &quot;Man the flying saucers,&quot; is referred to as being 'used by kids the year before. Arnold's car is an important part of his disguise: he tries to appeal to the younger generation, as if he makes a habit of preying on them. But, he falls short, and his disguise appears awkward before it finally breaks down. The reader feels more tension as he progresses through the story and comes upon these pieces of Arnold's Devilish – albeit oftentimes poorly constructed – disguise.&lt;/div&gt;&lt;/td&gt;
  &lt;td class=&quot;diff-marker&quot;&gt; &lt;/td&gt;
  &lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Arnold Friend pulls into Connie's driveway with his shiny, golden car, taking both her and the reader by surprise. The color gold has connotations of vanity and greed – two deadly sins. The phrase on his car, &quot;Done by a crazy woman driver,&quot; is something that would make a child laugh. The other phrase painted on Arnold's car, &quot;Man the flying saucers,&quot; is referred to as being 'used by kids the year before. Arnold's car is an important part of his disguise: he tries to appeal to the younger generation, as if he makes a habit of preying on them. But, he falls short, and his disguise appears awkward before it finally breaks down. The reader feels more tension as he progresses through the story and comes upon these pieces of Arnold's Devilish – albeit oftentimes poorly constructed – disguise.&lt;/div&gt;&lt;/td&gt;
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			<pubDate>Mon, 04 Jan 2010 02:07:06 GMT</pubDate>			<dc:creator>70.255.143.129</dc:creator>			<comments>http://litcrit.wikia.com/wiki/Talk:Where_are_You_Going,_Where_have_You_Been%3F</comments>		</item>
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